hi (at) graceeyre.com
I believe all good stories are true. This might make my journalist colleagues squirm a bit, but of course I don’t mean accurate or factual. I mean that stories, whether narrative, documentary, or viral TikToks, wouldn’t be shared, loved, or referenced if they hadn’t found truth – however layered and transformed it might be. Stories need to be taken seriously as agents in our culture, not dismissed as fluff.
I’m a screen editor with 15 years’ experience across multiple genres, but I’m particularly interested in issues-based documentary and drama.
My hidden talents include reading children’s books out loud, getting stray cats to trust me, and knowing every publicly available power point in a 5k radius.
Career Highlights:
- 2023 Nominee, Best Editing in Drama – Australian Screen Editors Awards
- Named one of IF Magazine’s Rising Stars of 2022
- 2021 “The Tailings” Wins AACTA for Best Short Form Drama
- 2021 Nominee, Best Editing in Drama – Australian Screen Editors Awards
- 2020 Nominee, Best Editing in Comedy – Australian Screen Editors Awards
- 2019 Jury Member, Editing Technique – CLIO Awards
- 2018 Nominee, Best Editing in Open Content – Australian Screen Editors Awards
- 2019 Winner, Best Australian Short – “Joy Boy” – Melbourne Queer Film Festival
- 2019 Nominee, Glass: The Lion for Change – “50 Shades of No” – Cannes Lions
- Former Chair, Australian Screen Editors Victoria
- Member, International Academy of Digital Arts and Sciences
Grace Eyre 